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Everyone knows flat earth is fake.
Anonymous Kritter Show this Post
09-16-2019, 11:40 PM #226
Anonymous Kritter Incognito
 
very nice site to compare true sizes of countries:
https://thetruesize.com/#?borders=1~!MTU...NQ(MjI1)Mg
Anonymous Kritter Show this Post
09-17-2019, 06:39 AM #227
Anonymous Kritter Incognito
 
(09-16-2019, 11:11 PM)Anonymous Kritter Wrote:  Can't stay off the thread huh,grav.

37.gif
Anonymous Kritter Show this Post
09-17-2019, 02:11 PM #228
Anonymous Kritter Incognito
 
(09-14-2019, 10:01 PM)Anonymous Kritter Wrote:  
(09-02-2019, 07:22 PM)Anonymous Kritter Wrote:  [Image: lunecl2.gif]

(09-07-2019, 06:24 PM)Anonymous Kritter Wrote:  
(09-05-2019, 04:38 PM)grav Wrote:  The crystal dome? or crystal sky?
Well, that sounds like a computer.

[Image: energy-2large1.jpg]
Why won't this embed?
http://www.renewyou.ca/wp-content/upload...large1.jpg

It shows the torus structure with our universe as the accretion disk.

if our universe is the center of an accretion disk then look at this:

[Image: blackholes_accretion.jpg]

black holes have an event horizen

our earth has an event horizen which is the dome

we are each the center our own universe which is determined by our physical senses (egocentric):

[Image: statues-vitruvian-universal-man-statue-b...1509910951]

makes sense things fall down if we are hovering above a black hole  37.gif

dont worry tho

blake assured us we will  only be compacted so far--limits are in place

a giant computer opposing a giant trash compacter


Leonardo DaVinci tended to compensate for his lack of an education in the classical sense with an excess of empirical studies. The most famous of these is the Vitruvian Man so called because it is based on a description of the ideal human proportions by Roman architect Vitruvius (around 85-20 BC). The study of ideal proportions illustrates the mingling of art and science during the Renaissance perfectly. Da Vinci viewed the human body as a reflection of the universe. He therefore referred to his anatomical studies as cosmografia del minor mondo. A popular though unproven theory is that Da Vinci saw the circle as the domain of human emotion whereas the square symbolized matter.

Leonardo da Vinci was the archetypal example of the Renaissance ideal: the Homo universalis as translated from Latin. As a Renaissance man he engaged in almost every art and science from painting to composition and from philosophy to chemistry.

sweet soul that sowed emotions on a crystal ball--squaring the circle

There's a New Blackest Material Ever, and It's Eating a Diamond As We Speak

It's so black, it turns diamonds into "black holes."

https://www.livescience.com/blackest-bla...amond.html

the  Apocalyptic  series  1-2-4-7-12-20-33  (4D,  6D÷7D, 9D÷12D, 14D÷20D, 22D÷33D, 35D÷54D, 56D÷88D).The 1D (Linear World), 2D (Flat World) and 3D World are included in the Real Material World bordered by the first Light-Membrane (1),  (2),  (3).  Inside  the  universal  interaction,  as  action  exists only  together  with  interaction,  so  explosiondoesn’t  exist without  implosion.  This  means  a  logistical –and  not exponential –cosmic evolution as whole, the exponential phase being only from the start to the inflection point of the logistical curve [1], [7], consequently the collapse will never be followed by  singularity,  it  is  a  new  start-phase,  leading  to  the  higher astral-mental-causal-buddhicsupraluminous  levels  of  the existence/vibration domains [1/5].ConclusionThe  re-introduction  of  the  ETHER  in  the  Physical/Material World  is  leading  to  a  revolutionary  transformation  of  the human knowledge. The terrestrial humankind arrived in such an evolutionary phase, which demand –for the re-integration in the  larger  cosmic  evolution –a  sudden  extension  in  getting acquainted  with  our  micro-and  macro-cosmic  surroundings. For  the  sake  of  this  cause  it’s  indispensable  the  synergic treatment of the accumulated knowledge,  without any border between the scientific disciplines, and a fundamental change in the human mentality, between others in the science, of which part can be the Systemic Evolutions Research, as result of the 20thcentury’s  two  leading  theories’ –the  Mathematical Systems  Theory  and  Bertalanffy’s  Theory  ofEvolution –synthesis. The unforeseen surprising result of this research it’s the discovery ofthe BION, “particle” (wave-concentration) of the  LIVING  MATTER,  as  the  basic  component  of  OUR LIVING UNIVERSE

https://www.journalijdr.com/sites/defaul.../13341.pdf

those emotional "black holes"
twinkle twinkle little star

https://youtu.be/yCjJyiqpAuU

[Image: r76.jpg]

Child of Poetry
(Earth of Earth — Spirit of Spirit)

This card appropriately depicts Blake himself, indicated by the word WILLIAM. Beside him is a falling star, which in the poem represents Milton's intellectual energy inspiring Blake, and entering his left (intellectual) foot. Blake's bodily attitude, leaning backward with his arms outstretched and palms upturned, signifies total acceptance of the divine will, including possible self-sacrifice. The carved stone steps at left show the potential for spiritual ascent through one's own handiwork. The figure's nakedness symbolizes his innocence and beauty as he receives the divine spirit. Although the sky is obscured by black clouds overhead, his faith enables him to attract the star that blasts through the negative obstructions.

In general terms, this card shows that receptive innocence can 'catch a falling star', an inspiration that ignites passion and stimulates genius. By contrast, maturity and experience tend to clothe themselves in dogma that wards off divine energies. The card quotation refers to people with blocked vision. Blake teaches that 'seeing' is an attitude rather than an action; it means that we must put aside our 'clothing' of selfhood, and let the realm of imagination enter us without precondition — if necessary, even ridiculously, as through our feet. The Child of Poetry is willing to take major risks.

This is the part of yourself or another that is restless, with strong feelings and quick impulses. You find the new and the strange fascinating, and learn through experience and by taking risks. You will bend over backwards or go to any length to see the light. You are hot-tempered but also down-to-earth and forthright. This individual may have problems with intemperate expression or exaggerated posturing.

In the creative process, this is the beginning of inspiration, when you are first fired up by a staggering idea that may free you from the blindness of previous conventions or paradigms.

https://blaketarot.com/tarot-big-book-we...ter-7.html
Anonymous Kritter Show this Post
09-17-2019, 02:39 PM #229
Anonymous Kritter Incognito
 
(09-07-2019, 06:24 PM)Anonymous Kritter Wrote:  the  Apocalyptic  series  1-2-4-7-12-20-33  (4D,  6D÷7D, 9D÷12D, 14D÷20D, 22D÷33D, 35D÷54D, 56D÷88D).The 1D (Linear World), 2D (Flat World) and 3D World are included in the Real Material World bordered by the first Light-Membrane (1),  (2),  (3).  Inside  the  universal  interaction,  as  action  exists only  together  with  interaction,  so  explosiondoesn’t  exist without  implosion.  This  means  a  logistical –and  not exponential –cosmic evolution as whole, the exponential phase being only from the start to the inflection point of the logistical curve [1], [7], consequently the collapse will never be followed by  singularity,  it  is  a  new  start-phase,  leading  to  the  higher astral-mental-causal-buddhicsupraluminous  levels  of  the existence/vibration domains [1/5].ConclusionThe  re-introduction  of  the  ETHER  in  the  Physical/Material World  is  leading  to  a  revolutionary  transformation  of  the human knowledge. The terrestrial humankind arrived in such an evolutionary phase, which demand –for the re-integration in the  larger  cosmic  evolution –a  sudden  extension  in  getting acquainted  with  our  micro-and  macro-cosmic  surroundings. For  the  sake  of  this  cause  it’s  indispensable  the  synergic treatment of the accumulated knowledge,  without any border between the scientific disciplines, and a fundamental change in the human mentality, between others in the science, of which part can be the Systemic Evolutions Research, as result of the 20thcentury’s  two  leading  theories’ –the  Mathematical Systems  Theory  and  Bertalanffy’s  Theory  ofEvolution –synthesis. The unforeseen surprising result of this research it’s the discovery ofthe BION, “particle” (wave-concentration) of the  LIVING  MATTER,  as  the  basic  component  of  OUR LIVING UNIVERSE

https://www.journalijdr.com/sites/defaul.../13341.pdf

[Image: r74.jpg]

Likened to Ezekiel's prophetic biblical vision, these heavenly eye-studded gyres signify not just God's glory but everything that is beyond man's understanding. In response, man can only kneel and humbly acknowledge the divine workings of the universe. The angels stand behind two gyres forming the sign of infinity, and represent the four Zoas; in viewing them we see ourselves as a portion of the divine plan. The nearest orb has parallel arcs that pass through the body of the kneeling worshipper: the orb with eyes signifies that man is part of the divine plan; the black orb without eyes means he is still impaled on Blake's "circle of destiny," the materialist round of cause and effect. Which orb he chooses is determined by each individual's prophetic vision.

This card is a vision of spiritual possibility, foreseeing a time when mankind rises to its full spiritual stature. In the meanwhile, everyman's task and the poet's responsibility is that of Prophecy, which means to speak the eternal truths — past, present, and future. This means 'telling it like it is' — not from the fallen and illusory perspectives of history, science, medicine, or religion, but according to the only eternal realities, which are those of imagination and the soul.

In the window quotation, Blake prophesies that spiritual awareness will make the materialist desert of man's mind into an eternal garden of delights. Although he speaks of "futurity," in Blake's cosmology there is only the eternal now. The future is now, and this card depicts spiritual awareness in this present moment. There is an element of humility or penance in this card. Spiritual awareness and prophetic statements can be easily misunderstood, not only by the people around you, but by yourself as well. The true nature of things is ultimately incomprehensible, so humility and awe serve better than egoistic pretenses to knowledge and understanding. Speak the truth as you see it, but always remember that your truth can never be the only or complete truth.

In the creative process, this reminds us to worship and humbly commune with the divine powers of the universe, in order to actively participate in the prophecy, which is the awakened consciousness of the greater organism we call Gaia.
09-17-2019, 05:51 PM #230
grav Member
Posts:339 Threads:1 Joined:Jun 2019
Hello, Blake admirer, who I knew on LOP, I respectfully disagree with your use of "divinity" since I am anti-theist. My people were Lutherans but I never could grasp religion.

As for the Bible. And the Hebrew book of Ezekiel, here we go with Zionist-Jesuit freemason trickery. They feed us truth and then hide it under truckloads of lies.
My guess is that the OT is based on history. A distorted one, of course.
What about aliens. And Archons? Was Ezekiel a real man? If he was, what did he see. Anunnaki?  

[Image: Ezekiel-Vision-Merkaba.jpg]
Anonymous Kritter Show this Post
09-18-2019, 02:23 AM #231
Anonymous Kritter Incognito
 
Have you done a single test YOURSELF yet, to prove YOUR theory Grav ? You are not still cherry picking Memes and youtube videos that agree with your theory and then post them as proof are you ?
Anonymous Kritter Show this Post
09-18-2019, 03:50 AM #232
Anonymous Kritter Incognito
 
Quote:cherry picking Memes and youtube videos
Well that's all grav's got to work with
...pathetic isn't it.
09-18-2019, 05:23 AM #233
grav Member
Posts:339 Threads:1 Joined:Jun 2019
Gentlemen, and I use the term loosely, you want experiments to prove/disprove what?
- That the earth is motionless? Nasa claims that it spins, orbits, and spirals at 1000, mph, 66,600 mph, and .5 million mph. Where is their scientific method and empirical evidence so that I may reproduce their experiments?
- That a total vacuum of space surrounds the earth? And the gaseous atmosphere does not disperse into it as gas laws require?
- That the earth is a sphere which curves downward at 8 inches times the square of miles of distance. Yet we see many long distance targets that should be impossible if we do the math. New Orleans is visible across Lake Pontchatrain, 30 miles away.
- That gravity is a force. I've seen many a cloud and smoke plume which defy the aforementioned force of nature.

Thanks for your assistance. You have been very helpful
.
Anonymous Kritter Show this Post
09-18-2019, 05:36 AM #234
Anonymous Kritter Incognito
 
(09-17-2019, 05:51 PM)grav Wrote:  Hello, Blake admirer, who I knew on LOP, I respectfully disagree with your use of "divinity" since I am anti-theist. My people were Lutherans but I never could grasp religion.

As for the Bible. And the Hebrew book of Ezekiel, here we go with Zionist-Jesuit freemason trickery. They feed us truth and then hide it under truckloads of lies.
My guess is that the OT is based on history. A distorted one, of course.
What about aliens. And Archons? Was Ezekiel a real man? If he was, what did he see. Anunnaki?  

[Image: Ezekiel-Vision-Merkaba.jpg]

i was never much at religion either--when forced to attend as a child i would sit in the back by myself and draw my own stories which were likely closer to the truth

god isnt such a mystery when you think of god as man collectively in the spiritual realm--we are all men in eternity

if you dont like the current god change yourself--god becomes as we are that we may be as he is

the divine is that spiritual spark that makes each of us the individual we
are

the ot began as a book of poetry from which the religious selected symbols to control the masses

major symbols in blake's poetry are rose,,  lamb, children, tiger, garden, stars, forest, looms and net--a symbol is an object which stands for something else

ezekiel was one of blakes stars--i would say hes is an archhetype but he could be either

There are the sun, the moon, the stars and the planets; the sources of light in the mundane world. The sun is associated with reason or Urizen, one of the four aspects of the Eternal Man. The aspect we call emotion was the precinct of Luvah or the moon, a passive source of light which provided repose or rest from the severe contentions of reason. But the balance was broken and Urizen fell, splitting his light into factions, the stars, which provide dim light. As remnants of reason, the stars form a chain of rationality expressed as law which restrains the fall of man into the abyss.

The first diminution of light is indicated as we have just said, by the star world. This world was created to keep the body of man from falling into the abyss, when both the sun and moon had failed. When knowledge ceased to be intuitive and love ceased to be spontaneous, when, in astrological imagery, the departure of Urizen, the sun, into the north (the realm sacred to Urthona), and of Luvah, the moon, into the south (the realm sacred to Urizen), the diminished reason became Albion's guiding light. Out of fear it built the world of law that Albion might not descend into chaos. The ordered world of constellations is Blake's beautiful and appropriate symbol for the order imposed by law upon a world from which unity had fled. The symbol draws an added value from the Stoics' association of the stars with reason's ethereal fires. The star world of the law is the great rational achievement."  

The wisdom integral to reason was distributed to the stars when Urizen fell. It became incorporated in the Starry Host which followed Urizen through the wilderness. In as much as man follows Urizen through the confusion of corporeality he is the Starry Host. It is interesting that two of the meanings of the word host may be applied to Blake's phrase. The multitude of humanity which concedes control of the mind to rationality are members of the Starry Host. But man must invite and allow Urizen to become his master; he must be a willing host to the dominance of Urizen. Man chooses to become the Starry Host.

http://webcache.googleusercontent.com/se...efox-b-1-d

this is a painting by blake of ezekiels vision

https://upload.wikimedia.org/wikipedia/c...Museum.jpg

From this time on Blake’s life and art are informed by Ezekiel’s vision of the Cherubim—the four “living creatures” come out of the whirlwind of cloud and “fire infolding itself,” having the “likeness of a man” (Ezek. 1, 10). Less than a year after Blake returned to London in 1804 he rendered this vision in a watercolor for Butts, “Ezekiel’s Wheels” (illus. 1), which features the human fourfold man, his hand raised in a sign of peace above the wheels whirling in flames. The awakened sleeper, Ezekiel himself, is depicted at the bottom of the picture, lying on a rock beside the river. In the same year Blake painted St. John’s metamorphosis of this vision, “The Four and Twenty Elders casting their Crowns before the Divine Throne” (Rev. 4).2↤ 2 “Ezekiel’s Wheels” is also known as “Ezekiel’s Vision of the Whirlwind.” The change in Blake’s life recorded in his letter-poem is also registered by the contrast between this painting of the wheels and his earlier depiction of Ezekiel’s wheels in an illustration to the ninth night of Edward Young’s Night Thoughts (c. 1795), repro. by Geoffrey Keynes in Illustrations to Young’s Night Thoughts (London: Oxford Univ. Press, 1927), no. 28, p. 56, as mathematic mysteries intimidating a benighted worshipper on the shores of the sea of chaos, a far cry from the expectant, ecstatic visionary of the later picture. “The Four and Twenty Elders” is repro. by Darrell Figgis in The Paintings of William Blake (London: E. Benn, 1925), pl. 4. Blake’s insistence on the human form of the Cherubim, his emphasis on its hand, fire and wheels, and his attention to the sleeper’s landscape of rock and river become central to Jerusalem, also begun in this year.

http://bq.blakearchive.org/15.2.herrstrom

the bible is mans spiritual journey--poetry is tnhe language of the soul

no aliens dunno about archons and anunnaki but there is this:

Here in these Chaoses the Sons of Ololon took their abode,
In chasms of the Mundane Shell

https://en.wikisource.org/wiki/Page:The_...n.djvu/60i was never much at religion either--when forced to attend as a child i would sit in the back by myself and draw my own stories which were likely closer to the truth

god isnt such a mystery when you think of god as man collectively in the spiritual realm--we are all men in eternity

if you dont like the current god change yourself--god becomes as we are that we may be as he is

the divine is that spiritual spark that makes each of us the individual we
are

the ot began as a book of poetry from which the religious selected symbols to control the masses

major symbols in blake's poetry are rose  lamb, children, tiger, garden, stars, forest, looms and net--a symbol is an object which stands for something else

ezekiel was one of blakes stars--i would say hes is an archhetype but he could be either

There are the sun, the moon, the stars and the planets; the sources of light in the mundane world. The sun is associated with reason or Urizen, one of the four aspects of the Eternal Man. The aspect we call emotion was the precinct of Luvah or the moon, a passive source of light which provided repose or rest from the severe contentions of reason. But the balance was broken and Urizen fell, splitting his light into factions, the stars, which provide dim light. As remnants of reason, the stars form a chain of rationality expressed as law which restrains the fall of man into the abyss.

The first diminution of light is indicated as we have just said, by the star world. This world was created to keep the body of man from falling into the abyss, when both the sun and moon had failed. When knowledge ceased to be intuitive and love ceased to be spontaneous, when, in astrological imagery, the departure of Urizen, the sun, into the north (the realm sacred to Urthona), and of Luvah, the moon, into the south (the realm sacred to Urizen), the diminished reason became Albion's guiding light. Out of fear it built the world of law that Albion might not descend into chaos. The ordered world of constellations is Blake's beautiful and appropriate symbol for the order imposed by law upon a world from which unity had fled. The symbol draws an added value from the Stoics' association of the stars with reason's ethereal fires. The star world of the law is the great rational achievement."  

The wisdom integral to reason was distributed to the stars when Urizen fell. It became incorporated in the Starry Host which followed Urizen through the wilderness. In as much as man follows Urizen through the confusion of corporeality he is the Starry Host. It is interesting that two of the meanings of the word host may be applied to Blake's phrase. The multitude of humanity which concedes control of the mind to rationality are members of the Starry Host. But man must invite and allow Urizen to become his master; he must be a willing host to the dominance of Urizen. Man chooses to become the Starry Host.

http://webcache.googleusercontent.com/se...efox-b-1-d

this is a painting by blake of ezekiels vision

https://upload.wikimedia.org/wikipedia/c...Museum.jpg

From this time on Blake’s life and art are informed by Ezekiel’s vision of the Cherubim—the four “living creatures” come out of the whirlwind of cloud and “fire infolding itself,” having the “likeness of a man” (Ezek. 1, 10). Less than a year after Blake returned to London in 1804 he rendered this vision in a watercolor for Butts, “Ezekiel’s Wheels” (illus. 1), which features the human fourfold man, his hand raised in a sign of peace above the wheels whirling in flames. The awakened sleeper, Ezekiel himself, is depicted at the bottom of the picture, lying on a rock beside the river. In the same year Blake painted St. John’s metamorphosis of this vision, “The Four and Twenty Elders casting their Crowns before the Divine Throne” (Rev. 4).2↤ 2 “Ezekiel’s Wheels” is also known as “Ezekiel’s Vision of the Whirlwind.” The change in Blake’s life recorded in his letter-poem is also registered by the contrast between this painting of the wheels and his earlier depiction of Ezekiel’s wheels in an illustration to the ninth night of Edward Young’s Night Thoughts (c. 1795), repro. by Geoffrey Keynes in Illustrations to Young’s Night Thoughts (London: Oxford Univ. Press, 1927), no. 28, p. 56, as mathematic mysteries intimidating a benighted worshipper on the shores of the sea of chaos, a far cry from the expectant, ecstatic visionary of the later picture. “The Four and Twenty Elders” is repro. by Darrell Figgis in The Paintings of William Blake (London: E. Benn, 1925), pl. 4. Blake’s insistence on the human form of the Cherubim, his emphasis on its hand, fire and wheels, and his attention to the sleeper’s landscape of rock and river become central to Jerusalem, also begun in this year.

http://bq.blakearchive.org/15.2.herrstrom

the bible is mans spiritual journey--poetry is tnhe language of the soul

no aliens dunno about archons and anunnaki but there is this:

Here in these Chaoses the Sons of Ololon took their abode,
In chasms of the Mundane Shell

https://en.wikisource.org/wiki/Page:The_...on.djvu/60

i was never much at religion either--when forced to attend as a child i would sit in the back by myself and draw my own stories which were likely closer to the truth

god isnt such a mystery when you think of god as man collectively in the spiritual realm--we are all men in eternity

if you dont like the current god change yourself--god becomes as we are that we may be as he is

the divine is that spiritual spark that makes each of us the individual we
are

the ot began as a book of poetry from which the religious selected symbols to control the masses

major symbols in blake's poetry are rose  lamb, children, tiger, garden, stars, forest, looms and net--a symbol is an object which stands for something else

ezekiel was one of blakes stars--i would say hes is an archhetype but he could be either

There are the sun, the moon, the stars and the planets; the sources of light in the mundane world. The sun is associated with reason or Urizen, one of the four aspects of the Eternal Man. The aspect we call emotion was the precinct of Luvah or the moon, a passive source of light which provided repose or rest from the severe contentions of reason. But the balance was broken and Urizen fell, splitting his light into factions, the stars, which provide dim light. As remnants of reason, the stars form a chain of rationality expressed as law which restrains the fall of man into the abyss.

The first diminution of light is indicated as we have just said, by the star world. This world was created to keep the body of man from falling into the abyss, when both the sun and moon had failed. When knowledge ceased to be intuitive and love ceased to be spontaneous, when, in astrological imagery, the departure of Urizen, the sun, into the north (the realm sacred to Urthona), and of Luvah, the moon, into the south (the realm sacred to Urizen), the diminished reason became Albion's guiding light. Out of fear it built the world of law that Albion might not descend into chaos. The ordered world of constellations is Blake's beautiful and appropriate symbol for the order imposed by law upon a world from which unity had fled. The symbol draws an added value from the Stoics' association of the stars with reason's ethereal fires. The star world of the law is the great rational achievement."  

The wisdom integral to reason was distributed to the stars when Urizen fell. It became incorporated in the Starry Host which followed Urizen through the wilderness. In as much as man follows Urizen through the confusion of corporeality he is the Starry Host. It is interesting that two of the meanings of the word host may be applied to Blake's phrase. The multitude of humanity which concedes control of the mind to rationality are members of the Starry Host. But man must invite and allow Urizen to become his master; he must be a willing host to the dominance of Urizen. Man chooses to become the Starry Host.

http://webcache.googleusercontent.com/se...efox-b-1-d

this is a painting by blake of ezekiels vision

[Image: William_Blake_Ezekiel%27s_Vision_ca_1803...Museum.jpg]

From this time on Blake’s life and art are informed by Ezekiel’s vision of the Cherubim—the four “living creatures” come out of the whirlwind of cloud and “fire infolding itself,” having the “likeness of a man” (Ezek. 1, 10). Less than a year after Blake returned to London in 1804 he rendered this vision in a watercolor for Butts, “Ezekiel’s Wheels” (illus. 1), which features the human fourfold man, his hand raised in a sign of peace above the wheels whirling in flames. The awakened sleeper, Ezekiel himself, is depicted at the bottom of the picture, lying on a rock beside the river. In the same year Blake painted St. John’s metamorphosis of this vision, “The Four and Twenty Elders casting their Crowns before the Divine Throne” (Rev. 4).2↤ 2 “Ezekiel’s Wheels” is also known as “Ezekiel’s Vision of the Whirlwind.” The change in Blake’s life recorded in his letter-poem is also registered by the contrast between this painting of the wheels and his earlier depiction of Ezekiel’s wheels in an illustration to the ninth night of Edward Young’s Night Thoughts (c. 1795), repro. by Geoffrey Keynes in Illustrations to Young’s Night Thoughts (London: Oxford Univ. Press, 1927), no. 28, p. 56, as mathematic mysteries intimidating a benighted worshipper on the shores of the sea of chaos, a far cry from the expectant, ecstatic visionary of the later picture. “The Four and Twenty Elders” is repro. by Darrell Figgis in The Paintings of William Blake (London: E. Benn, 1925), pl. 4. Blake’s insistence on the human form of the Cherubim, his emphasis on its hand, fire and wheels, and his attention to the sleeper’s landscape of rock and river become central to Jerusalem, also begun in this year.

http://bq.blakearchive.org/15.2.herrstrom

the bible is mans spiritual journey--poetry is the language of the soul

no aliens dunno about archons and anunnaki but there is this:

Here in these Chaoses the Sons of Ololon took their abode,
In chasms of the Mundane Shell

https://en.wikisource.org/wiki/Page:The_...on.djvu/60
Anonymous Kritter Show this Post
09-18-2019, 05:48 AM #235
Anonymous Kritter Incognito
 
wow that sure got messed up--even the typo i corrected is still there
Anonymous Kritter Show this Post
09-18-2019, 11:12 AM #236
Anonymous Kritter Incognito
 
(09-17-2019, 05:51 PM)grav Wrote:  Hello, Blake admirer, who I knew on LOP, I respectfully disagree with your use of "divinity" since I am anti-theist. My people were Lutherans but I never could grasp religion.

As for the Bible. And the Hebrew book of Ezekiel, here we go with Zionist-Jesuit freemason trickery. They feed us truth and then hide it under truckloads of lies.
My guess is that the OT is based on history. A distorted one, of course.
What about aliens. And Archons? Was Ezekiel a real man? If he was, what did he see. Anunnaki?  

[Image: Ezekiel-Vision-Merkaba.jpg]

Thank you grav for proving that all flat earth bullshit is based on religion, and not science.
Anonymous Kritter Show this Post
09-18-2019, 01:27 PM #237
Anonymous Kritter Incognito
 
(09-18-2019, 05:23 AM)grav Wrote:  Gentlemen, and I use the term loosely, you want experiments to prove what?

EVERYTHING YOU have put forth as fact ! pop2.gif
09-18-2019, 06:23 PM #238
grav Member
Posts:339 Threads:1 Joined:Jun 2019
Once again I will admit that Blake goes over my head. And while I usually think of the OT as history, I realize that it is also rendered into English as fine poetry.

I also like the term 'diminished reason' -- which I now hereby confiscate for my own use. It defines so well the modern diminution of intellect as seen on forums and in the dumbed-down sheeple in this country. That is the theme of a thread I made on Alien Earth, where bad manners and potty mouths run amok.

I tend to take Blake's cosmology, the little I understand about it, and fit it into gnostic lore. The Starry Host are us, maybe, the electric beings who often take flesh suits on the physical realm. Or maybe they are aeons in the Gnosis Pleroma. The Mundane Shell is, of course, the flat earth concept, which also matches the Norse Yggdrasil tree, the Cosmic Egg, Enoch's Terrarium, the Mayan and other ancient world models.

[Image: bf1d28841b6eb8515bb12f92ddf42b3c--flat-earth-texts.jpg]

And the Electric Universe torus.
[Image: a7d329d89d7a8778c24fb97aed139756.jpg]
09-18-2019, 07:03 PM #239
grav Member
Posts:339 Threads:1 Joined:Jun 2019
(09-18-2019, 01:27 PM)Anonymous Kritter Wrote:  
(09-18-2019, 05:23 AM)grav Wrote:  Gentlemen, and I use the term loosely, you want experiments to prove what?

EVERYTHING YOU have put forth as fact !  pop2.gif

OK, but first I must have Nasa's methods which they used to derive their empirical evidence.
First, tell us how they triangulated distances to the sun and moon and figured earth's rotational speed.
Anonymous Kritter Show this Post
09-18-2019, 08:59 PM #240
Anonymous Kritter Incognito
 
(09-18-2019, 06:23 PM)grav Wrote:  Once again I will admit that Blake goes over my head. And while I usually think of the OT as history, I realize that it is also rendered into English as fine poetry.

I also like the term 'diminished reason' -- which I now hereby confiscate for my own use. It defines so well the modern diminution of intellect as seen on forums and in the dumbed-down sheeple in this country. That is the theme of a thread I made on Alien Earth, where bad manners and potty mouths run amok.

I tend to take Blake's cosmology, the little I understand about it, and fit it into gnostic lore. The Starry Host are us, maybe, the electric beings who often take flesh suits on the physical realm. Or maybe they are aeons in the Gnosis Pleroma. The Mundane Shell is, of course, the flat earth concept, which also matches the Norse Yggdrasil tree, the Cosmic Egg, Enoch's Terrarium, the Mayan and other ancient world models.

[Image: bf1d28841b6eb8515bb12f92ddf42b3c--flat-earth-texts.jpg]

And the Electric Universe torus.
[Image: a7d329d89d7a8778c24fb97aed139756.jpg]

.... and they all saw the sun going down BELOW the horizon lmao.gif



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